camera equipment wish list :)

[stp]

1st of all
I miss a lot a super 16 camera which we are shooting a lot with in Europe.
been abble to see if it fits in a car or in tight places & getting the right lens in format...
ARRI 416 for exemple or SRIII (even both;)

Then
the option to get the equipment list export on a sheet with columns or cells instead of just a text listed.

buterflies (frame 8x8fts / 12x12fts / 20x20 fts)

The option to switch the car lights on
when previzualizing a night scene for exemple is usefull

& a few more lights :)
20K, dyno light, kinoflos

These would helps more than ever
even if the V3 is already really helpfull as the V2 was before, etc....
Thanks for being listening that much to the consumer

Steeven

[Jay Hoover]

Man, those are just beautiful. Real works of technological art.

[stp]

HERE'S FOR KINOS

[stp]

& at least a car mount would be great too, & a loader, cherry picker

[stp]

there's new anamorphics lenses from hawk that are x1.3 squeeze instead of curent x2.
That allow to have the right anamorphic squeeze for 16/9 sensors, 3perf, & super 16.
16/9 with these lenses become 2.35 ratio & of course the lens leight are different....
That would be really nice if you can inclued this new anamorphosis in your film format....

Thanks

S

[stp]

here

[aviddreamer]

Can we have spyder cam in the next version? Also if we could animate the objects & actors that would make it perfect!!!

[ThomasKoch]

I would love the Lowel Rifa Lights in here. I also second the silks option to soften light, or standard Mole or Arri lights that have a flood or spot, not just beam angle. When you adjust flood or spot the softness of the edges change.

[Slave2TheLight]

I've been able to fake most any light I need (usually going for practicals). Matches? Check. Streetlamps? Check. Flashlight? Check.

Kinos would be damn handy, though. For that matter, straight-up fluorescent lamps of any kind.

The problem with hacking them together is they're a line-source, rather than a point-source, and the diffusion of a line source isn't easy to cobble together through discrete points (and, of course, getting them to act in concert is a chore).

Really, once the line-source part is done the rest of it should be easy - permit them in 2', 4' and 8' lengths, permit them in normal output and VHO, and give them a couple-three color temperatures. A kino bank would then be four bulbs, of which you can turn on two or four.

Fluorescent lights would make things like office environments a lot more realistic to light. Incandescent downlights are pretty and all, but the diffuse miasma you get from overhead 4-bangers is different than the "diffuse" no light setting we have now.

For that matter, any way we could get an augment to the color picker that uses Lee gels or the equivalent?